This story is a note shared on Facebook by my friend Amy Osborne, a doctor working in Haiti during the horrific recent cholera outbreak. I met Amy a few years ago when a group of friends and I invited her to speak at a fundraiser about her experiences as a midwife in Darfur. She has the storyteller's gift, a great heart and courage to help others. She inspired me to donate to the Cholera Treatment Centres set up by Médecins Sans Frontières in Haiti. I hope you do the same: http://www.msf.ca/
i was hunched down by a bed, making a patient drink ORS when Deska, our driver, came up and tapped me frantically on the shoulder. he tells me in French (most people here speak creole) that there is an emergency. i follow him to the other ward and find a teenage boy lying half-naked on one of the cholera beds. i think to myself that he must be mortified to be lying there, so exposed, his naked buttocks hanging over the hole cut in the cot so his diarrhea will simply fall into the bucket placed below his bed. as i get closer i start to see that he's not mortified because he's barely conscious. his eyes have sunken into his head and the skin on his face is pulled taut over his now-prominent cheekbones. i rush over and feel for a pulse in his right wrist. it's not there and his hand is cool. i grab his other wrist and there's still no pulse. i tell deska to run for one of the doctors and he goes. i feel the boy's neck and i can't feel his carotid pulse. i know he's alive because his breathing is fast and furious. i ask one of the nurses for a stethoscope and she tells me there are none. i ask her to start an IV in one arm and i'll start one in the other. she gets to work and can't find a vein- he's severely dehydrated. another nurse comes in and i ask her where the doctor is. she shrugs. I tell her to start the next IV and i go run for a doctor who i'm hoping, at the very least, will have a stethoscope and, at most, will be better at starting IVs on severely dehydrated patients than we are. i find Kanako and she goes to find one of the elusive doctors while i go back to check on the boy. his breathing is slowing down. his brother, who has clearly been told in my absence that ORS is the key to survival, is trying to pour ORS down his throat. i want to tell him to stop because the boy is barely unconscious and can't swallow, but i also know that it's too late for this boy and i think the brother needs to feel that he did something. i notice something white coming out of the boy's mouth and i look closer- white foam is bubbling out. it begins to pour out of his mouth and both nostrils. at first i wipe it away, but then i notice that he's not choking on it because he's no longer breathing. i sit back and just watch it flow out. the doctors arrive and one of them stands back and observes (he has a tendency to be less than inclined to touch cholera patients) while the other doctor does a few half-hearted chest compressions. we haven't been able to find a vein and there is nothing more to be done. it's over.
there is little time for compassion in a cholera outbreak. the "corpses" are highly contagious and need to be quickly cleaned with disinfectant and then put in a body-bag to be buried. i want to give the family time to grieve- they just lost a 19-year-old boy- but the families of the other patients want him gone immediately. someone runs for a body-bag. i pull the sheet over his face as people are gathering around to gawk. his mother is in shock and doesn't seem to believe that he's really gone. she goes over and pulls the sheet down. she touches his face. she pulls the sheet down further and touches his stomach. then she touches his feet, one at a time. i don't know what she's looking for, but she doesn't find it. she sits down beside him and looks incredulous. I am about to be the only person in the room to cry so i step out onto the balcony and take deep breaths. i manage to pull it together.
Someone arrives with the bag and Kanako lays it out on the bed next to his. together we open it and his mother and brother take his arms and legs and lift him into it. Kanako and i reach in and take his hands and lay them on his chest. then we zip the bag closed, over his still open eyes. he doesn't look dead. he looks like even he can't believe that he's gone- that one day he was a normal teenage boy and the next day he died the most degrading death a human being can ever experience.
cholera is merciless. it robs you of any and all dignity you once had. untreated, you can lose up to 20 litres of fluid a day in the form of diarrhea and vomit. you will lose all of your strength and you will literally lie in a pile of your own diarrhea until you die. the management is simple. you need fluids. it's just that easy. cholera treatment centers (CTCs) are easy to set up. it just takes resources- people and supplies. it just takes someone actually caring.
why this STILL hasn't been properly implemented here, I have no idea.
I don't know why I have such a strong belief in justice. but i do. as a Christian, a Libra, a woman, a human being... I have this intrinsic belief in justice- that the world is just. or more realistically, that it can and should be just. in spite of all of the places i've been and the things i've seen that have shown me time and again that life is anything but just, i still believe it can be. and what's happening here isn't just.
– From Amy Osborne
Friday, December 24, 2010
Tuesday, October 19, 2010
Where the light lets in: For my friend and mentor
Mystical Mike never seemed quite of this world.
Not because he’d actually died once as a toddler, seen the ‘light’ of the other side and come back – or maybe it was. I didn’t know that story then.
It was his eyes.
The first time I met Mike I was set up by a mutual friend to give him a ride from Victoria to Cortes Island for a social change conference. All I knew about Mike was that he was older (like 50s), a cultural mythologist, had back problems and would be in my car for at least six hours.
When he crouched into my front seat and held me with a smile and sparkling eyes, shamanic and childlike, I knew he was good. Otherworldly good.
Mike made many kindred spirits that way. Physicists, Jungians, activists, waitresses and academics – whomever he met and made that connection with stuck. He could see the heart of things and people. He could name it. He could help you name it too. He called it the sweet spot.
A few months ago a friend and I were having coffee with Mike and we got on to the subject of the Proust questionnaire on the last page of Vanity Fair magazine. We decided to ask each other some of the questions.
Mike was asked: “What is the most overrated virtue?”
“Intelligence,” he said.
Coming from a guy who casually debated physics and mathematical systems with the brightest academics, who was sought out to help advise the Obama and Earth Day campaigns on messaging and who could quote many histories, Joseph Campbell and the last book he’d read verbatim, we just rolled our eyes.
He explained: “If you are intelligent and you don’t have integrity you are incredibly dangerous to this world. “
Mike and I drove from his studio apartment in James Bay to Fairfield to pick up the next passenger on our journey: Another Mike. This one was a twenty-something beat-boxing youth worker, living in a commune-like dilapidated mansion, where nearly a dozen mountain bikes hung on racks outside the front door.
Mystical Mike loved this. He was fascinated by the bikes and the promise of personalities and connected lives they represented. He and Young Mike immediately bonded, two open souls full of enthusiasm and ideas.
Later, when it was just the two of us, Mystical Mike and I would imagine everyone we’d met at the conference as characters in an Odyssian journey. He said Young Mike was a Magi Type: A rare specimen capable of bringing great powers of good-heartedness to the many Warriors we’d met in activist documentarians, journalists and community leaders.
I asked Mike what my Type was.
“You need to find that out yourself. That’s your journey,” he said. He was so obviously a Teacher.
When I went to visit him in the hospice a year later he asked me again. “Have you found yourself? Don’t give up. The answer is right there.”
We continued north along the Island highway, bypassing the small communities along the waterfront scenic route until turning off into Courtenay. Our final passenger, Hans, was waiting outside his small house – black beret, leather bag and soul patch in tow.
The forty-something single dad was a native of the area, an avid writer, photographer, foodie and ballroom dancer. Like the rest of us, he was looking for comrades in work – like-minded people to change the world with, and hopefully make a little bit of a living at it.
As I drove, I mostly listened to three of the most gracious and lovely men I’ve ever met get to know each other. When I think back to the moment that Hans got into the car and joined in on a conversation and journey that bonded and changed us all I feel so grateful.
“I’ve never met someone who isn’t a storyteller,” Mike told us. “And it isn’t limited to our species.”
You don’t tell your story, you tell their story. This was Mike’s mantra and the premise for how he believed narrative could change the world.
He told us about helping a small city council change its attitude towards a growing homeless population by using “our homeless” instead of “the homeless” in all its discussions of the subject.
He quoted Campbell: “Myths are public dreams, dreams are private myths,” and said our job as storytellers is to mobilize the waking dream of a culture.
He quoted Hemingway, “Life breaks everyone but some are stronger at the broken places.”
It wasn’t until the ride home with just the two of us that I discovered some of Mike’s broken places.
Growing up in Idaho, his life’s passion had been to fly fighter jets in the war. But his eyesight wasn’t good enough. He became a war historian and expert model-maker instead.
In his late teens he moved to Ontario to go to university. There he met the love of his life, a South American woman named Judy.
Judy had been married and recently left her husband – against her family’s wishes. She and Mike planned to move to Victoria, where he’d study physics and she’d have a chance to start fresh.
“I’d gone ahead to find a place for us and found this great little apartment in a house on Amelia Street,” he said. “Judy’s plan was to finish the semester and come meet me right after.”
Mike and Judy wrote letters back and forth to each other daily in what was supposed to be a few months apart.
“Then the letters stopped coming,” Mike told me. He continued to write, asking Judy if she’d changed her mind – his heart breaking with each unrequited letter.
“I figured she’d either gone back to her husband or changed her mind about us. Either way I had to accept her wishes,” he said. “It was the darkest time of my life.”
Mike dove into his physics studies with intensity, barely leaving the apartment.
A house fire forced him out, scrambling to find a new place to live.
It wasn’t until several months later that the true story of what happened to Judy would slowly unravel.
“My landlord called and said she had a bunch of mail for me,” Mike said. The fire damage to his old residence was only on the interior. Because the exterior looked fine, mail had continued to be delivered to residents there despite it being abandoned for months.
All of Mike’s letters to Judy had been returned with an apology from the Ontario Postal Service. Because of a mail strike, his letters sat in the post office for months. When the strike was over, the recipient, Judy, appeared to have moved with no forwarding address. She never got his letters.
But now, from his landlord, he finally got hers. Months worth of letters detailing her excited anticipation of their new life together, her worry at not hearing from him, her anger, her sadness, her fear, her frustration and her final resolve to give up and go back to her ex-husband.
This was the part of the story at which I pulled the car over off a dusty strip of the Malahat Highway and said, “Tell me you found her. Tell me you set things straight.”
He didn’t. And this is the precise point where my understanding of men and women differs. Mike didn’t want to bring any more pain to Judy. She’d made her choice and suffered enough so he let her go.
“You have to find her. You have to tell what happened. She has to know you loved her,” I told him.
“What good would that do now? It’s better this way,” he said.
The drive was silent for several minutes before Mike turned the subject back to my broken places and me. He had a way of doing that, deflecting his own suffering to delight in the possibility of healing another’s.
I noticed this throughout our relationship. He’d squint and smile through excruciating back pain to spend hours drinking coffee and talking at his office, the Days Inn restaurant.
Even when the back pain turned out to be cancer, a terminal tumour, he held court in the hospital hospice. Family, friends and cohorts came to offer him comfort and still he offered mentorship.
“Do good things. You have a lot of power you know,” he told me. My warm hands rubbed his back as he sat on the edge of his bed in a hospital gown drinking a McDonald’s milkshake. “There’s someone I want you to meet. He’s doing really interesting stuff in Africa. It would make a great story.”
His memorial was held a few days ago at the Days Inn, a frosty, bright October morning just a few days before what would have been Mike’s 62nd birthday.
Our ragtag group took over the bar and told stories of Mike’s brilliance and generosity: How he captivated the Secretary General of the United Nations with his thoughts on narrative, how he often babysat and tutored the children of the single-mother waitresses he befriended at Pagliacci’s restaurant 20 years ago and how he listened to everyone with respect and interest regardless of status.
He died a bachelor but had an immense network of family and friends just as close. I worked up the courage to ask his sister Barbara about Judy.
“Yes, he told me about her,” she said. No, he never contacted her. “I never knew her last name… But their souls will meet again. That I’m sure.”
I hope to meet Mike again on some other plain someday. I know I’ll continue to find him in the wisdom he shared. Despite being the biggest Luddite in the very tech-savvy bunch at the social change conference, Mike was the star. The stories he told and questions he asked, and asked us to ask each other reverberated in a soul-shaking way that changes lives, careers and builds bonds. Here are just a few tidbits from my notes at his talk:
On the characteristics of an effective storyteller:
“Everyone is a storyteller but a truly effective storyteller possesses three things: A natural ability, a mentor and someone who knows your true face.”
“Link common knowledge with your narrative with a new emergent story. This is where change happens.”
“Leadership, learning, health, sustenance and defense. The Ojibwa learned these are the most important elements to society. A good politician has learned this too.”
Sutton’s Law: A lesson in clear storytelling:
“Willie Sutton was a world-class bank robber and escape artist. He evaded the authorities for years and became a notorious celebrity despite very little being known about him as a person. On one occasion when he was caught, a reporter managed to get in a question as he was being taken away. ‘Willie, why do you keep robbing banks?’ she asked. To which Willie replied, ‘That’s where they keep the money.’”
Five questions you need to be asked:
1. Who are you?
2. What do you want?
3. What are you doing about it?
4. Are you satisfied?
5. If not, what are you willing to sacrifice?
Monday, October 4, 2010
My life in Super 8mm films by my dad...
My dad, David Petrescu, collected old cameras and was documenting his and our lives on Super 8mm video, box, 35 mm and Rolleiflex cameras since I can remember. When he passed away seven years ago we were left with boxes of film, slides and thousands of pictures he took and developed. Recently, my mother had some of his old films transferred to DVD. I've made short videos from that footage. Putting these together I see what a gift he left us with and what an artistic spirit he was.
This video starts with my parents as a young hippie couple living in a cabin by the Nechako River in Prince George, B.C. I come along in 1978, then my brother Nicholas in 1981.
When my dad was ill with cancer in 2003 I asked him what the best time of his life was. He said, "Those early days with your mom and you kids. That was so much fun."
Here's to you Dad.
XO Sarah
Watch on my YouTube Channel: http://www.youtube.com/watch?v=wZUDF-1qMso
This video starts with my parents as a young hippie couple living in a cabin by the Nechako River in Prince George, B.C. I come along in 1978, then my brother Nicholas in 1981.
When my dad was ill with cancer in 2003 I asked him what the best time of his life was. He said, "Those early days with your mom and you kids. That was so much fun."
Here's to you Dad.
XO Sarah
Watch on my YouTube Channel: http://www.youtube.com/watch?v=wZUDF-1qMso
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My life in Super 8mm films by my dad...
Breakdance Party - Fall 1984
My brother Nick's third birthday party was a blast. All the neighbourhood kids showed up to bust a move to Michael Jackson. My dad had picked up MJ's Thriller album at the Woodward's in Prince George. Nick (the cutie in the blue and red track suit) was so obsessed with the King of Pop he'd ask mannequins in the mall if they knew him and yell "Michael Jackson!" at every black man we encountered. Very embarrassing...
My brother Nick's third birthday party was a blast. All the neighbourhood kids showed up to bust a move to Michael Jackson. My dad had picked up MJ's Thriller album at the Woodward's in Prince George. Nick (the cutie in the blue and red track suit) was so obsessed with the King of Pop he'd ask mannequins in the mall if they knew him and yell "Michael Jackson!" at every black man we encountered. Very embarrassing...
My life in Super 8mm films by my dad...
La Famiglia Bevacqua, 1979ish.
Growing up as a young child in Prince George, B.C. my family spent many Sunday afternoons at my mother's folks' place on Winnipeg Street. Nonno Felice and Nonna Chiarinna were from a small village in Calabria, Italy, called Mangone. They joked it was called Man-gone because so many of the men left after the Second World War to work in America. My nonno left in the late 60s to work on the railway in Northern B.C., bringing his family of seven over years later with the help of a generous couple he'd been boarding with. They saved his rent for two years to help him. In this video my dad has his Super 8mm out again. Zio Carmelo, auntie Brenda and cousins Tina and Mark are over visiting - likely for an afternoon filled with gnocchi, wine, gardening and singing. My mom, Rita, is the beauty with the long black hair.
XO S
Growing up as a young child in Prince George, B.C. my family spent many Sunday afternoons at my mother's folks' place on Winnipeg Street. Nonno Felice and Nonna Chiarinna were from a small village in Calabria, Italy, called Mangone. They joked it was called Man-gone because so many of the men left after the Second World War to work in America. My nonno left in the late 60s to work on the railway in Northern B.C., bringing his family of seven over years later with the help of a generous couple he'd been boarding with. They saved his rent for two years to help him. In this video my dad has his Super 8mm out again. Zio Carmelo, auntie Brenda and cousins Tina and Mark are over visiting - likely for an afternoon filled with gnocchi, wine, gardening and singing. My mom, Rita, is the beauty with the long black hair.
XO S
Monday, April 19, 2010
Dreams of Jim lead to better thoughts…

I've decided to compile some of my favourite blogs, stories and posts that are only available online here to keep track of them. They cover the time period between my last year at Ryerson University in Toronto to two years later, as I settled into a new job as an arts writer in Victoria...
From MySpace: 15 Oct 06 Sunday
This afternoon I passed out on my green shag rug and awoke two hours later from a very disturbing dream about my first .. and last .. guitar teacher, Jim.
Jim was a forty-something guy with greasy long hair, pockmarked cheeks and cigarette breath who wore everything in the fabric known as jean.
He was a weekend warrior rock star playing the Coast pub circuit in a cover band called Local Traffic. By day he taught kids guitar at the now defunct Strings and Things in Sechelt.
I was given guitar lessons with Jim from my parents for my tenth birthday, inspired by an obsession with the Tracy Chapman Fast Car record and my mom playing House of the Rising Sun very superbly.
I lasted three lessons.
Jim was a total pig. He burped and farted (I'm pretty sure he was farting, but it was hard to hear) and kept going on and on about how girls never make good guitar players, they don't want to cut their nails, how I won't want to cut my nails and probably quit too, how many great female guitars players have YOU heard of and on and on...
So I quit and that's basically when I became a boy-chasing mall rat. Thanks Jim. Stay out of my head please.
I guess this sprung to mind because of all the superkids I've been talking to lately. You know, those kids I always go on about who are four-feet, barely in the double digits, hardly say a word, yet can rip out your heart with a Mozart concerto or play Shostakovich with more emotion than most adults I know and then sit down for some and pop and chips.
How did they get so good? Not with Jims in their lives. Quite the opposite. The amount of support for kids in music here makes me teary sometimes. As much as I'd like to kibitz with cute rock stars all day .. yeah right .. I love the kids.
And I'm starting to listen to music differently, which is kind of weird. Last night during Nosferatu I recall getting this very eerie feeling and then thinking, "Damn. Oboe, you fucking rock!"
(I'm also reading this awesome book right now called This is Your Brain on Music: The science of a human obsession, in which I've learned classical music is the original punk rock having directly rebelled from the Catholic church's banning of polyphony [more than one musical part playing at a time] and the interval of an augmented fourth because it was too evil)
Anyway, I'm not too sure where this boring stuff is all going other than I'm tired, can't sleep and seem to be consumed by the things I never learned and the things I did learn, but have forgotten and probably won't learn again.
The latter thought was compounded by just reading the letter my dad wrote me before he died, in which he swore me to remember and pass on all the important things he taught me to my own children one day like how to chop wood, fish, plant a garden and drive a stick shift. Oops.
In memory of my dad, Dave, who would have been 53-years-old today here is a poem the author/artist Harvey Chometsky wrote about him at the age of 23, when he had reputation around Prince George as an odd-ball tour guide with an arcane knowledge of the area.
In the Prince George dump there's no scavenging allowed.
The reason they give, says Dave, is sanitation.
He says the trick .. believe me he knows ..
is to go there at lunch,
while the workers are eating.
Go to the dump for lunch.
He says he hates it when bags are soft.
There might be dead babies or anything in them,
but he hasn't come across one yet thank Christ.
Well it's true you know. The soft ones are bad.
What you do is keep away from them
like I did
and still find this poem
those picture frames, diaries, notebooks and a compass
that hangs on my door,
that tells me every morning
which direction I'm going.
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From Charleston, with Love!
From MySpace: May 27, 2007
Call me a crazy West Coast leftie, but I don't think it's a co-incidence that every time I'm in a U.S. airport there's been a terrorism alert of some kind from Homeland Security – code yellow, orange or whatever. Combine that with some sorry-looking 21-year-old soldiers kibitzing over shrapnel and gunshot wounds in Iraq and no wonder everyone's too scared to cut down this war. Anyway, I better keep this to myself. I am in the South.
Charleston, South Carolina – known as the port city where three out of four slaves from Africa were brought and sold, where Bubba from Forrest Gump set up his shrimp shack (yes it's here), where the locals wear enough pastels to make Abercrombie and Fitch look hardcore and where many of the black population still speak an African Creole called Gullah.
I've been here two hours and in that time I've met one of those Gullah speakers, scoped out the one indie rock club, had two shots bought for me, tried grits and lumpy cakes at the Crab Shack and found a new friend to show me around tomorrow on my one day off before the conferencing starts – Dani, a 21-year-old determined to get a tattoo since South Carolina just made them legal (except on the neck!) a few months ago. I told her I'd check out a few parlours with her since I'm such an expert. Ha. I like it here already, 90 per cent humidity included.
Can't wait for all the music and music discussions to begin – even though I'm pretty sure I'm the only gal and definitely the youngest. Just found out we are attending a Menotti tribute on Thursday in addition to the other three shows a day and seminars. Phillip Glass playing five keyboards at once in his new Leonard Cohen opera, Book of Longing. Outta sight!
I still haven't decided between a few days in Savannah, Georgia, or going up to Myrtle Beach to see Dolly at the Summer Sun Festival. I'm leaning Savannah: ante-bellum architecture and Midnight in the Garden of Good and Evil. Good times.
Call me a crazy West Coast leftie, but I don't think it's a co-incidence that every time I'm in a U.S. airport there's been a terrorism alert of some kind from Homeland Security – code yellow, orange or whatever. Combine that with some sorry-looking 21-year-old soldiers kibitzing over shrapnel and gunshot wounds in Iraq and no wonder everyone's too scared to cut down this war. Anyway, I better keep this to myself. I am in the South.
Charleston, South Carolina – known as the port city where three out of four slaves from Africa were brought and sold, where Bubba from Forrest Gump set up his shrimp shack (yes it's here), where the locals wear enough pastels to make Abercrombie and Fitch look hardcore and where many of the black population still speak an African Creole called Gullah.
I've been here two hours and in that time I've met one of those Gullah speakers, scoped out the one indie rock club, had two shots bought for me, tried grits and lumpy cakes at the Crab Shack and found a new friend to show me around tomorrow on my one day off before the conferencing starts – Dani, a 21-year-old determined to get a tattoo since South Carolina just made them legal (except on the neck!) a few months ago. I told her I'd check out a few parlours with her since I'm such an expert. Ha. I like it here already, 90 per cent humidity included.
Can't wait for all the music and music discussions to begin – even though I'm pretty sure I'm the only gal and definitely the youngest. Just found out we are attending a Menotti tribute on Thursday in addition to the other three shows a day and seminars. Phillip Glass playing five keyboards at once in his new Leonard Cohen opera, Book of Longing. Outta sight!
I still haven't decided between a few days in Savannah, Georgia, or going up to Myrtle Beach to see Dolly at the Summer Sun Festival. I'm leaning Savannah: ante-bellum architecture and Midnight in the Garden of Good and Evil. Good times.
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